In this tree-lined avenue, street lights and fine mist, an old man was sitting on the bench with his cane, which is hardly noticeable ... But these few details ...
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In this tree-lined avenue, street lights and fine mist, an old man was sitting on the bench with his cane, which is hardly noticeable ... But these few details are sufficient to fully express all its melancholy poetry. This man says everything without saying anything. The darkness around us, makes us here understand that sometimes loneliness holding us and prevents us from moving forward.
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Contest Finalist in Monthly Pro Vol 21 Photo Contest
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Behind The Lens
Location
In my Street in Champs sur Marne in France in the middle of the night, just in front of an old cimeteryTime
It was in middle of the night with a little myst about 3h amLighting
When we speak of light difficult is generally thought to bright light, direct, with many contrasts and little softness. It is true. But even more difficult to understand the lack of light, the penumbra of the evening or night when small areas are illuminated by street lamps, headlights and maybe wrapped in thin fog, complicated by reflections surfaces wet with rain and humidity.Equipment
My full Frame Sony a850 with Zeiss 16-35 f2,8 lens and a tripod.Inspiration
The loneliness of old people. In this tree-lined avenue, street lights and fine mist, an old man was sitting on the bench with his cane, which is hardly noticeable ... But these few details are sufficient to fully express all its melancholy poetry. This man says everything without saying anything. The darkness around us, makes us here understand that sometimes loneliness holding us and prevents us from moving forward.Editing
For this picture in black and white, I started by treating color version of RAW files in Lightroom, then I export a TIFF file to the Silver FX software for the black and white version.In my camera bag
Two years ago i updated my camera equipment and say goodbye to my old companion, my Sony A700, and i updated for the fabulous Sony SLT A99 with his new generation of ull frame sensor, this camera is a killer. I also my inseparable Sony Alpha 850 which also has a full frame sensor. I have three lens in my bag, a very bright f2.8 Zeiss 16-35, a F2,8 Sony G 70-200 and a 50mm Sony. I use two Manfrotto tripods and monopod. When I work on assignment or Street photography I love to use two straps systems, Double Black Rapid, and the straps and clips from Peak Design.Feedback
Here it does not count to have the best reflex camera or have the best objective: only counts know exactly how to capture that certain poetic atmosphere because it combines the meaning of all the shot.