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Patch Of Blue



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Natural light, Model: Janine Jennifer

Natural light, Model: Janine Jennifer
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Awards

Judge Favorite
Peer Award
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Superb Composition
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Top Choice
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Absolute Masterpiece
jimjett michaeldahlvik AdriaanSwart larryollivier simonaddison HDintel eduardoctavio +10
Outstanding Creativity
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Magnificent Capture
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All Star
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Superior Skill
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Genius
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Emotions

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Top Ranks

Sensual And Intimate Photo ContestTop 10 rank
Sensual And Intimate Photo ContestTop 10 rank week 2
Sensual And Intimate Photo ContestTop 20 rank week 1
Image Of The Month Photo Contest Vol 8Top 10 rank week 1

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8 Comments |
Marcogressler
 
Marcogressler March 29, 2016
great work!
tobiasglawe PRO+
tobiasglawe March 29, 2016
Thank you!
CarlMorgan
 
CarlMorgan March 29, 2016
Great depth of field, thanx for sharing
elviagra
 
elviagra March 29, 2016
very very sexy, fantastic
SoulShooterPhotography Ultimate
 
SoulShooterPhotography March 31, 2016
great dof! I am trying really hard to grasp the concept of her emotion though... it is just feels misplaced rolling on the floor....
pietnel
 
pietnel April 20, 2016
Fantastic
FightGuyPhoto PRO+
 
FightGuyPhoto April 29, 2016
Beautiful shot!
vitor Platinum
 
vitor May 12, 2016
Fantastic!
Bipz-Photography
 
Bipz-Photography November 24, 2016
great work !!!
See all

Behind The Lens

Location

This photo was taken during a home photo shoot in Jennifer's flat.

Time

It was on a rainy Sunday, around 11.30 a.m.

Lighting

I just used natural light, window lighting, for the whole session. Sometimes a silver surfaced bouncer to fill shadows or get a catchlight in her eyes.

Equipment

It was taken with a D810 and the AF-S Nikkor 50mm f/1.8g. I love this lens specially for Boudoir Photo shoots: a really nighty fifty.

Inspiration

Next to Portraits, Boudoir specially on location photo shoots are my personally favorite genre. The challenge to work only to with window lighting inspires me every in every session.

Editing

This photo is slightly underexposed (about 1 stop) to get a darker look. I've started in Lightroom with some basic corrections like brighten deep shadows and HSL corrections for skin color and luminosity. In Photoshop I've done some basic retouching steps like D&B. Finally I used luminosity masking for a color grading on the shadows and highlights.

In my camera bag

Two Camera Bodies (a D700 and a D810), my favorite 85mm lens, a 50mm and a 35mm. CF-Cards, a Laptop, a Rocket Blower (always a good idea) and a silver surfaced bouncer.

Feedback

Looking out for light and ask your model to move right there. Don't be afraid to aks your model to correct their position until your satisfied with the result. Trust in the tonal range of your camera and in the ”mighty power” of underexposure.

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