Rilemi
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dianenugent_2854
September 01, 2016
Love the quiet, yet sad quality of this photo , very compelling especially with the transition to true black...perfect
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Behind The Lens
Location
This photo was taken in my back yard, which often served as my impromptu studio space during my early photography years. As a self-taught photographer, I was always photographing in unusual places as I learned.Time
The photograph was taken sometime after 10 pm, after the subject secretly arrived home after a year abroad in China.Lighting
This image is lit using a continuous-light softbox. I had just purchased the softboxes, so this was one of the first images I used them in.Equipment
Nikon D3000 with a standard 18-55 kit lens, a tripod, a black sheet hung over my fence and a single continuous-light softboxes.Inspiration
The subject of the photo, a dear friend of mine from High school, had just surprised me by returning home after a year abroad in China. This photo was taken as a momento of her return .Editing
Hardly! I simply increased the brightness slightly, and done!In my camera bag
Nikon D3000 with an 18-55 standard kit lens, Zeikos cap lenses, Neewer CN-160 Dimmable LED light w/ color filters, wireless shutter release, extra batteries for lights/remote, camera charger and extra SD cards in various storage amounts (128mb-16gb).Feedback
Since this photograph required a lower ISO, and I never shoot over 800 ISO, my shutter speed was pretty slow. I found that the easiest way to avoid movement or blur when photographing a subject in low light is to mimic each other's breathing. Introduce the subject to a slow breathing technique, like simply inhaling for two counts and exhaling for four counts (1:2 ratio). As your subjects breathing becomes consistent and slow, begin to follow the breathing technique yourself, synchronize your breathe to the breathe of your subject. Once synchronisation has occurred (after about five breaths), release the shutter on an exhale. You and your subject will both be relaxed, and you'll both be less likely to move as much, resulting in less motion blur.