vedagonzalez
FollowMagnificent jellyfish float in the tranquil, sunset-lit evening. Time is frozen for a moment on this truck’s rusted fender. May I remember to pause for suc...
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Magnificent jellyfish float in the tranquil, sunset-lit evening. Time is frozen for a moment on this truck’s rusted fender. May I remember to pause for such a moment each day, breathing in His tranquility, His peace, His shalom.
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Awards
Top Shot Award 21
2020 Choice Award
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Same photographer See allBehind The Lens
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Behind The Lens
Location
I photograph rust spots on salvage automobiles, trucks, and farm equipment. This particular photograph was from an abandoned piece of equipment behind a friend's home in Coyote Springs, Arizona.Time
Good strong sunlight works well with this type of subject matter. I also like open, directional shade. "Jellyfish" was photographed several hours before sundown.Lighting
Even working with a flat or semi-flat surface, directional light is good, as it provides shape and highlights to little ridges of rusted metal. Texture is good.Equipment
I use a Canon EOS 60D with a 60mm f2.8 macro lens. Sometimes I use a tripod; sometimes I don't. For this lens, I almost always shoot at f8 because that is the sharpest point of this lens (as I tested it).Inspiration
When I tackle a salvage yard to photograph their rust spots, I rarely see the story immediately. Rather the color, composition, design, or texture is what attracts me. Later, when I rotate and flip it in Photoshop, that’s when the story behind the art pops out at me. So I then enhance the photo to let the story flow smoothly. However, that is what the photograph means to me; it very well could mean something entirely different to you! Here's the story behind "Jellyfish": Magnificent jellyfish float by in the tranquil, sunset-lit evening. Time is frozen here in this moment on this truck’s rusted fender. May I remember to pause for such a moment each day, breathing in His tranquility, His peace, His shalom.Editing
Oh yes, post-processing is a big part of what I do. I shoot in RAW, so I always bump vibrancy, contrast, & clarity. Then, in Photoshop, I add layers that essentially burn & dodge to bring out the 'story' that I see in the image. Occasionally, as in "Jellyfish", I paint in a texture layer selectively.In my camera bag
A mister, a micro-fiber cloth, and a cosmetic duster! All salvage cars are incredibly dirty and tiny spiders are incredibly busy, so I do what I can to lessen my time in Photoshop.Feedback
What is your passion? What motivates you as a person? If you don't photograph from that, your photographs will never tell a story. The story is what grabs people and makes them take a second look. My faith in the Messiah of Israel, Yeshua, is what lifts me from the muck of life to joy unspeakable, peace unsearchable, love beyond bounds. I love His Word and have searched it for years, finding dew drops of refreshment, nuggets of nourishment, & light for living. Therefore, it is only reasonable that I see those things in the abstract images that I photograph of salvage cars. I call it "Rust to Revelation"! I share it as an extension of my faith.