tom_a_findahl_0381

- The Wall -

- The Wall -

Camera: Zeiss Ikon Nettar 515-2 1938 mod
Lens: Nettar Anastimat 105mm f-4.5
Film: Acros 100
Film processing: Tom Findahl D-76 11min
Nega...
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Camera: Zeiss Ikon Nettar 515-2 1938 mod
Lens: Nettar Anastimat 105mm f-4.5
Film: Acros 100
Film processing: Tom Findahl D-76 11min
Negative scan
Read less

camera

Perfection V700/V750

upload_date

upload_date

Mar, 2015

Views

240

Likes

+6

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Superb Composition

Outstanding Creativity

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Same photographer See all

Camera: Mamiya RZ67 Pro ll
Lens: Sekor Z 110mm f2.8
Film: Tri-x 400
Negative scan
Lab; Rolf Berntzen, Sweden

Photographer: Tom Findahl
Camera: Mamiya RZ67 Pro ll
Lens: Sekor Z 180mm, tube no. 1
Film: Fuji Acros 100
Negative scan
Lab: Nameisis Film Paradise, L

Couldn’t forgive myself for «cutting» off the tip of her shoes, so I threw away this frame.
Then I re-discovered it, cropped it in 6x8 ratio and i

Camera: Canon 1V HS
Lens: Canon 24-105 f4
Film: TMax 100
Negative scan
Film processing: http:--www.enbrabild.se-

The Viking

Model: Sandra Morin
Photographer: Tom Findahl
Light: Danny B
Camera: Fuji GX680 iii 6x7 frame
Lens: Fujion GXM 180mm f3.2 - at f8 - 1-60 (+ 2stop)
Lig

Camera: Mamiya c330s
Lens: Sekor c 80mm f2.8 at f5.6 - 1sek
Film: TMax 400
Negative scan
Film processing: Tom Findahl
Developer: Kodak D76 Stock

This is how I see the Philippines, colorful and fertile

Camera: Mamiya RZ67 Pro ll
Lens: Sekor 50mm ULD f4.5 at f32 - 1-2 sek. Warming filter (85)
Fi

Camera: Canon 1V HS
Lens: Canon 24-105 IS f4
Film: Kodak TX
Negative scan
Lab: Rolf Berntzen, Sweden

I captured these Roots in my neigborhood

Mother nature lays her blanket of freezing cold, white velvet down on us.

Just listen to the silence….

Camera: Mamiya RZ 67 Pro ll
Lens: Sekor Z

- Ifugao warrior -

Camera: Canon 1V HS
Lens: Canon 24-105 f4
Film: Fuji Superia 400
Negative scan
Film processing: http:--www.enbrabild.se-

One of the most photographed places in the world, but I think the sky adds something.

Model: Color
Makeup: Mim Lai Sandfield
Light: Danny Bravo

Camera: Mamiya c330s
Lens: Sekor c180mm Super f3.5 at 1-60 - f5.6
Meter: Sekonic L-75

- Branches -

When there’s proper play of light, shadow and lines - grey concrete can be art.

Camera: Mamiya c330s
Lens: Sekor c 80mm f4.5 at f8 - 1-60 sek.
Mete

Camera: Canon 1V HS
Lens: Edge 80
Film: Fuji Superia 100 Expired nov. 2008 b&w conv.
Negative scan
Lab: Nameisis Film Paradise, Latvia

- Reflection -

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