- Untitled -
Camera: Mamiya c330s
Lens: Sekor c 80mm f2.8 at f5.6 - 1sek
Film: TMax 400
Negative scan
Film processing: Tom Findahl
Develop...
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Camera: Mamiya c330s
Lens: Sekor c 80mm f2.8 at f5.6 - 1sek
Film: TMax 400
Negative scan
Film processing: Tom Findahl
Developer: Kodak D76 Stock 1:1 8min
Stop: Just water, wash three times
Fix: Paterson Acu Fix 8min 1-9
Read less
Lens: Sekor c 80mm f2.8 at f5.6 - 1sek
Film: TMax 400
Negative scan
Film processing: Tom Findahl
Developer: Kodak D76 Stock 1:1 8min
Stop: Just water, wash three times
Fix: Paterson Acu Fix 8min 1-9
Read less
Dec, 2013Views
910
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Awards
People's Choice in Street Lights Photo Challenge
Superb Composition
Peer Award
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Absolute Masterpiece
Outstanding Creativity
Magnificent Capture
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elizabethvandermarkhuffman
June 17, 2015
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Same photographer See allBehind The Lens
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Behind The Lens
Location
This is shot in the capitol of Norway, OsloTime
This photo is shot early morning, it depends what light I want for the scene.Lighting
You can get a good scene in sunrise/sunset, but also with very limited light.Equipment
I carried light on this day, the Mamiya c330s with the 80mm f2.8 lens at f5.6 1 sek. and a tripod.Inspiration
I'm always looking for the light to fall in a special or "unusual" way. I'm striving to get a classic feel or mood in my photos, keeping it simpleEditing
The post processing I do, is in the dark-room. I print on 40x50 fiber based paper. The only digital I do is scanning the negative for posting on web.In my camera bag
What equipment I have in my bag varies what I'm going to shoot, or if I have to carry light. or can bring more heavy equipment. I carry the Mamiya c330s with 65mm,80mm 180mm and 250mm, or the Mamiya RZ67 normally with 50mm/65mm, 90mm/110mm one of the 180mm, 250mm, the Fuji GX680iii with 65mm, 100mm, 180mm, the Fuji GW690 or GW670, both with fixed 90mm lens, or the Linhof Master Tech Classics with 105mm, 150mm, 250mm, 360mm. If I want to carry ultra light, I use cameras that shoots 135 film - Tripod. I use the 1 degree meter Sekonic l-758DR for demanding lighting situations. Then I can place the shadows, mid tones and highlight in the zones needed.Feedback
In this particular photo I metered the highlights, mid tones and shadows, and did an average exposure. I could also have metered the shadows and lower mid tones, and developed for the highlights. (Shortened the development time of the film)
