Yellowstone NP Jan 2012.
Yellowstone NP Jan 2012.
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Awards
Contest Finalist in Wildlife Wanderlust Photo Contest
Zenith Award
Legendary Award
Contest Finalist in Anything Animals Photo Contest
Contest Finalist in World Photography Day Photo Contest
Featured
Contest Finalist in Solo Animals Photo Contest
Runner Up in Year In Review Photo Contest 2013
Contest Finalist in Year In Review Photo Contest 2013
Featured
Superb Composition
Top Choice
Absolute Masterpiece
Peer Award
Magnificent Capture
All Star
Outstanding Creativity
Superior Skill
Jaw Dropping
Exceptional Contrast
Great Find
Genius
Virtuoso
Top Ranks
DonTX
February 19, 2014
Excellent image. Amazing eyes! Congratulations on your award. Well deserved.
tonywhymark
February 20, 2014
This photo has changed my perception of foxes, its nothing like the ones that pull my rubbish sacks open every Monday night! Beautiful shot.
AnneDphotography
March 11, 2014
everything about this photo is perfect ... congrats , awards are well deserved !!!
reneezernitsky
March 22, 2014
exceptional capture What a moment - I've been privy to be able to share in this moment - a once in a life time event - the clarity is amazing
debbiejohnsonmacarthur
March 22, 2019
Join the conversation. Add a comment or even better, a critique. Let's get better together!
Same photographer See allBehind The Lens
Behind The Lens
Location
This image was made when I and four other photographers were returning to our base - Yellowstone Exhibitions - that manages a Yurt Camp. The location is somewhere between the Yurt Camp and the Old Faithful Visitor's Center.Time
We first spotted Mr. Fox around 4:00pm on June 24th laying along the side of the road. Our guide immediately slowed the snow van so not to alarm Mr. fox. We gathered our gear and slowly exited the the van into -10? F environment with about a 20 knot 'breeze." We lined up single file behind each other using the van to conceal us as much as possible and also have a good perspective on the animal. It was almost like being in a war game with Mr. Fox being the opponent we didn't want to be exposed to yet wanted to have a clear view of him.Lighting
The scene was a huge light box made up by a lightly overcast sky and the bright white snow. There were no shadows to contend with. Just the cold magnified by the wind.Equipment
I exited the snow van just after removing my large leg insulated Gitzo tripod, Canon 5D MK II camera and a 500mm f/4 Lens from the large plastic bag I used to ensure the lens would not fog between entering and exiting the warm van. I should mentioned I was wearing glove liners with fingerless gloves over the liners, boots rated to -20? F and a jacket with a fur lined hood made to survive an Arctic expedition all which enable me to sustain a motionless crouch for about 35 minutes.Inspiration
My objective during this week in Yellowstone was to capture wildlife images. After three days I had not seen anything that excited me. To be honest, after eight hours of in / out of the van, the cold weather and being very hungry I was not all that inspired to get out of the van again as the temperature was getting colder and the wind was increasing. However, once out of the van and in position I soon realized I had an excellent opportunity to make my week. Mostly, Mr. /fox kept his head down and to the side buried in his fur. Every so often he would raised his head and I thought for sure he would run when the five cameras blasted 50 frames per second for three to five seconds. But he just sat there with his head then buried it again.Editing
Most of the work done in post focused on making the shadow areas darker and enhancing the red in Mr. Fox along with the normal contrast, clarity and saturation adjustments. Not much at all.In my camera bag
Well that depends where my bag is going. When I do street work in Los Angeles I just carry my disguised canon 5D MKII with a either a canon 35mm or 50mm EF lens. When doing landscape work and I have an SUV with me I usually carry my full complement of gear: Canon Cameras - 5D MK II and MK III; Canon EF lens - 16 - 35mm, 24 - 70mm, 70 - 200mm, 500mm, 35mm, 50mm, 180mm macro, 2x extender and two tripods. When working on other projects I will use a combination of the gear just mention appropriate to the objective.Feedback
My only winter photography experience has been in Yellowstone. I cannot imagine trying to to what I did without a guide and the appropriate vehicle which Yellowstone Exhibitions offers. ( http://www.yellowstoneexpeditions.com/index.html ) They have just one week in January dedicated to photographers so book early. Another source is Cindy Goeddel who can be contacted at http://goeddelphotography.com/yellowstone-photo-tours/ .