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Time=Energy (model) by Dirk Marwig 2014



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Time = Energy Model (False cypress, plywood, plexi-glass and waxed string, 70.5cm x 45cm x 10.5cm, Dirk Marwig 2014)
* I have always been obsessed with t...
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Time = Energy Model (False cypress, plywood, plexi-glass and waxed string, 70.5cm x 45cm x 10.5cm, Dirk Marwig 2014)
* I have always been obsessed with the concept of “Time”(‘Zeit’, in German), it’s behaviour and inconsistencies.
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Time = Energy Model (False-cypress, plywood, plexi-glass and waxed string, 70.5cm x 45cm x 10.5cm, Dirk Marwig 2014) Dirk Marwig: “I have always been obsessed with the concept of “Time”(‘Zeit’, in German)- It’s behaviour and inconsistencies. I believe that ‘Time’ is Energy and that like all other Energies can somehow (in the future) be fully understood and positively applied. But seeing just how sluggish mankind is…. this will take a while!” https://dirkmarwig.com/ BIO: Dirk Marwig (German; 30 May 1960) is a German multifaceted artist (painter, creator and maker of “Objects” and Constructions, designer and crafter of furniture and jewelry; an autodidactic ”Jack of all Trades and the Master of Many”) born in Bochum, North Rhine-Westphalia, Germany. Dirk Marwig represents the ‘complete’ artist, a modern renaissance man, his art being a lesson in lysergic geometry, a continuous, a subtle yet energetic ‘back and forth’ between Reason and Unreason, always sublimely surprising, entertaining and dazzling the spectator, always questioning the Status Quo. Dirk Marwig art differs from most of his contemporaries in that he does not rely on a single, specific, easy to recognize and repetitive “Formula” or “Recipe” to express his ideas. Repetition is not part of his repertoire. He works by himself in order to keep the ‘result’ a pure work of his. Risk, the search for novelty and the challenge that comes with it, in combination with gutsy trust in his own basic instincts form part of his process. To confuse and to surprise himself and therefore his audience is how Dirk Marwig achieves and maintains a high level of freshness and childlike innocence in his work. His art is therefore in a constant state of evolution. Coming in contact with his work, characteristics such as the unusual technique, the handcrafted perfection, the attention to detail, texture and composition, the format, the humor or the tragedy, the hidden mathematics and creative geometry with exquisite use of color combined with an eternal humanistic “Theme”, astound and baffle the spectator. DETAILS: Born 1960 in Bochum,Germany 1966-1972 lives with parents in New York, Pittsburgh, Pennsylvania and Rapid City, South Dakota, U.S.A. 1972-1981 basic schooling in Frankfurt, Germany 1981-1990 lives, studies and works in New York City 1981-1984 studies Art at Art Students League, (meets Andy Warhol, Jean Michel Basquiat…) 1987 works with Marc Jacobs (creates shoes and plastic jewelry for Marc Jacobs’ first successful show-Spring 1988) -his Rings appear on the cover of Vogue (October1987) other creations are featured in French and British Vogue…,he sells at Bergdorf Goodman and Barneys New York also at various stores in Paris and London. 1988 creates the U-CREATE…a “do it yourself T-shirt” kit. It sells (among other stores) at the Guggenheim Museum of Art, the Whitney Museum of Art, both in N.Y.C., the Chicago Museum of Modern Art ,the Los Angeles Museum of Contemporary Art gift shops and at F.A.O.SCHWARTZ,N.Y.C. 1990-2006 lives and works in MADRID, SPAIN One man shows: 1993 Bennassar Gallery,Madrid,Spain 1994 Nikolaus Fischer Gallery,Frankfurt,Germany 1996 Nikolaus Fischer Gallery,Frankfurt,Germany 1998 Nikolaus Fischer Gallery,Frankfurt,Germany 1999 Goethe Institute,Madrid,Spain 2001 Nikolaus Fischer Gallery,Frankfurt,Germany 2003 Nikolaus Fischer Gallery,Frankfurt,Germany 2008 Nikolaus Fischer Gallery,Frankfurt,Germany Collections: Deutsche Bank für Gemeinwirtschaft Crédit Suisse Opera House Frankfurt 2006-PRESENT DIRK MARWIG lives and works in West Vancouver,B.C.,Canada

Time

A Studio photograph with basic lighting.

Lighting

Basic lighting using a reflector.

Equipment

Old Pentax, 12mp, 50mm , aperture 16, Tripod

Inspiration

I take all photos of my Art for Reference purposes.

Editing

I used the old 'Aperture' app. Basic light correction. Sharpening.

In my camera bag

Canon 85mm lens. Batteries.

Feedback

Study all the Angles of the Object and decide how you want to showcase it. Then experiment with the lighting.

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