close iframe icon
Banner

Through the sun



behind the lens badge

When you're a premiere motocross jumper flying through the air seems almost effortless.

When you're a premiere motocross jumper flying through the air seems almost effortless.
Read less

Views

374

Likes

Awards

Celebrity Award
Contest Finalist in Full Adrenaline Rush Photo Contest
Peer Award
JoaoLavadinho Trixabella jonasweiss cghalford
Outstanding Creativity
cherylhealy JayneBug neilwatts
Absolute Masterpiece
Free-Spirit kiwidragonfly olgavorster
Genius
JePePhoto bpwhite
Magnificent Capture
robinh_7535 nikoncameraman
Top Choice
winnerslens31
Superb Composition
matayosoixantequatorze
Virtuoso
Confalonieri

Emotions

Impressed
ChrisByrnes liudmiladrake

Top Ranks

Sports Nation Photo ContestTop 20 rank week 1
Faces Of The World Photo ContestTop 10 rank
Faces Of The World Photo ContestTop 10 rank week 1
Enchanting Portraits Photo ContestTop 10 rank
Enchanting Portraits Photo ContestTop 10 rank week 1
Creative Photography By Jordi Photo ContestTop 10 rank week 7
Creative Photography By Jordi Photo ContestTop 10 rank week 6
Creative Photography By Jordi Photo ContestTop 10 rank week 5
Creative Photography By Jordi Photo ContestTop 10 rank month 1
Creative Photography By Jordi Photo ContestTop 10 rank week 3
Creative Photography By Jordi Photo ContestTop 10 rank week 2
Creative Photography By Jordi Photo ContestTop 10 rank week 1
Full Adrenaline Rush Photo ContestTop 20 rank
Full Adrenaline Rush Photo ContestTop 20 rank week 1
Monthly Pro Photo Contest Volume4Top 30 rank

Categories


See all

Behind The Lens

Location

I was doing a story on this 7 time X Games medalist, Colby Raha. His practice area is this dirt hill area in San Diego County.

Time

As the sun was setting, I got into this perfect situation of this superstar to go through the sun on his jumps. The window to catch what I caught was extremely short. Matching the height of his jump with the setting sun was no easy task. Absolutely no time for a tripod, it was get it now or not get it at all! The real trick was to listen to the sound of his bike because I had no visual until he was in the air!

Lighting

Dealing with an amazing athlete like Colby was I knew he would be very consistent in how high he was jumping. That allowed me to even have a clue of lining his bike up with the setting sun. The major trick was being totally ready with all my manual settings before the jump but, even harder than that was, presetting the focus and then knowing when to shoot the shot...all in a split second! Shooting into the sun is a blinding experience. You have to really practice hard on tracking fast-moving objects and even more importantly shooting situations involving the sun right down the barrel.

Equipment

My favorite camera is still the Canon 5D mark 2. I went with a 58mm prime lens on this shot. It's a special Russian art lens with an F-stop of 1.2. It's extremely light in weight which really helps in maneuvering the camera hand-held around on fast-moving objects.

Inspiration

This athlete is at the top of this field. When I first observed him practicing his aerial jumps, I told him I wanted to attempt to get him flying through the sun. I think when you have that vision in your head and you've spoken with your subject about what you want to do, you have a greater chance to actually make the shot happen. For me, I had already shot this shot in my head, now it was time to make it come to life.

Editing

My favorite post-processing software is Photoshop. I feel like I have a lot of control to actually accomplish what I had for my vision both for what is in my head and what I shot. Photoshop has the power to blend those two together. It's not a science for me but, a feeling, a highly tuned-in sensibility that you develop over the years. Trust those feelings. Post for me is seeing the finished photo come to life as to what I saw in my head before I shot it with a camera.

In my camera bag

Unfortunately for me, my bag is way too heavy. I see too much to be underpowered. I want what I want at that moment in time and if I cannot shoot what I seem I go and shoot something else. Being a long lens guy and a wide-angled guy at the same time is quite the burden. I carry too many lenses around but, every time I don't carry them around I miss out on a shot I really want to get. My bag has two art lenses a 58mm and an 85mm. I also carry a 100mm macro prime, a 75-300mm, a 16-28mm wide-angle and GoPro hero5 black for time-lapses, lots of batteries for my 5D and GoPro. I would not copy me if I were you!

Feedback

My advice to anyone wanting to shoot a shot like this. Practice! I shoot every day without fail. When you commit to being a photographer full time, composition should be build-in and something you don't even think about. Practice shooting into the sun, there's nothing easy about it. It takes experience. Practice shooting fast-moving objects. I have a lot of years shooting hi-speed motorcycle road racing, off-road racing, NASCAR, Indy racing, bike racing, marathon races, boat racing, sailboat racing, surfing, water, and snow ski racing, swimming races, and my list keeps going. Knowing how athletes move and how what they are riding moves, makes shots like this one come to life.

See more amazing photos, follow wild-west

It’s your time to shine! ☀️

Share photos. Enter contests to win great prizes.
Earn coins, get amazing rewards. Join for free.

Already a member? Log In

By continuing, you agree to our Terms of Service, and acknowledge you've read our Privacy Policy Notice.