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Owl in autumn mood. Great grey owl (Strix nebulosa) - an animal in human care (falconry used).

Owl in autumn mood. Great grey owl (Strix nebulosa) - an animal in human care (falconry used).
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Awards

Contest Finalist in Monthly Pro Photo Contest Vol 46
Peer Award
anstef diegoscaglione WillemS Forestwoman lulubecdubois mihaela2167 DanieTerblanche +23
Absolute Masterpiece
Paul_Joslin HMcDowell sallyG11 bevyannstevens Svenergy72
Magnificent Capture
Flaviodurao Sylvain_JC_Collin Argentiere VICX
Superb Composition
GarrilSmith myerscreativearts StanVG
All Star
ircacaplikas mjbranscome
Top Choice
Daemus thatunicorngal
Genius
Kuriousphotos
Outstanding Creativity
LifeForcePhotography

Top Ranks

Legend And Fantasy Photo ContestTop 10 rank
Legend And Fantasy Photo ContestTop 30 rank week 1
The Beauty Of Autumn Photo Contest 2020Top 10 rank
The Beauty Of Autumn Photo Contest 2019Top 10 rank
Social Exposure Photo Contest Vol 18Top 10 rank
Monthly Pro Photo Contest Vol 46Top 10 rank
Social Exposure Photo Contest Vol 18Top 10 rank week 1
Monthly Pro Photo Contest Vol 46Top 10 rank month 1
Monthly Pro Photo Contest Vol 46Top 10 rank week 3
Monthly Pro Photo Contest Vol 46Top 10 rank week 2
Monthly Pro Photo Contest Vol 46Top 10 rank week 1
Covers Photo Contest Vol 50Top 10 rank
Covers Photo Contest Vol 50Top 10 rank week 2
Covers Photo Contest Vol 50Top 10 rank week 1
Monthly Pro Photo Contest Vol 45Top 10 rank
Monthly Pro Photo Contest Vol 45Top 10 rank week 1

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2 Comments |
keepclicking
 
keepclicking January 24, 2019
Great capture
EuroBen Platinum
EuroBen January 24, 2019
Thank You, Phil :-)
HMcDowell
 
HMcDowell January 26, 2019
Magnificent shot. I love the colors.
EuroBen Platinum
EuroBen January 26, 2019
Thank You :-)
See all

Behind The Lens

Location

I created this photo during private photo event with my good friends photographers in the Czech Republic. We took advantage of a unique opportunity to take a pictures of a tame owls and birds of prey, which are falconry used. The scene was carefully selected to faithfully match the natural biotope of the birds in its natural habitat.

Time

It was 26. October, one hour after noon.

Lighting

On that day the sky was overcast without the sun and the low cloud gave our scene the ideal diffuse light. Therefore, there are no highlight effects and reflections on feathers and there are no significant shadows around the owl.

Equipment

I worked with my favourite very fast digital camera Nikon D5 and with my fast lens Nikkor 200 f/2,0. I worked without a tripod.

Inspiration

I love nature and especially wild animals. But I'm very busy at work, now I can not take part in a time-consuming wilderness expedition. And I think that collective photographic expedition directly into the habitat of the endangered big cats is not correct. That's why I took advantage of the unique possibility of assisted or arranged photographing of a tame wild animal in human care, that does not shake the human presence and creates only small risk for the photographer.

Editing

I love natural photos. Shots without big adjustments. I try to capture all my photos so I do not have to use the post-processing. I know it is very modern and trendy today, but I do not work with PS or LR or other sophisticated post-processing software. I invoke my NEF only in Nikon View and Nikon Capture and make only minor edits. Maybe my photos could be even more attractive, but I want to show real reality.

In my camera bag

The contents of my robust Tamrac bag is primarily a powerful digital camera that I can rely on in every weather. Now I'm normally using the body Nikon D5 and the backup body Nikon D850. I normally wear Nikkor lenses 24-70 f/2.8 and 70-200 f/2.8. These "workers" have always been with me. On the "macro" action I take the excellent old micro lens Nikkor 200 f/4 or micro lens 105 f/2,8. For animals and birds photography I need to pack "heavier weight" - I'm using the lens Nikkor 400 f/2.8 and now also a new lens Nikkor 200 f/2 lens. The last two months I test the new mirrorless Nikon Z7 with my fast lenses.

Feedback

When it comes to photographing the endangered animal species, I recommend the form of "assisted (arranged) photography". It's about photographing a species of wild animal that is in human care. The animal is tame, working well with it, and it is especially safe for humans. Most importantly, the photographer does not disturb wild animals in their natural biotope. Today there is a trend commercial group photographic expeditions to exotic countries. From the yield is funded the rescue of endangered animal species. But too frequent visits of groups of people in animal biotopes are very disturbing and stressful for endangered animals and their food chain. These expeditions can become very destructive for small animal populations and, instead of rescuing animals, can speed their extinction. We all photographers have to think, whether our money really helps those animals.

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