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Window to Hope



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This was taken in the basement of the keep at Peveril Castle, which sits on its cliffs above Castleton, in the Hope Valley. ...
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This was taken in the basement of the keep at Peveril Castle, which sits on its cliffs above Castleton, in the Hope Valley.
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Awards

Peer Choice Award
Peer Award
nerminas magdalenawos Yayo-Billy Jerryl KaKiteTokuKanohi petersmallwood marthamcnultymedford +4
Absolute Masterpiece
JinxiGurl robertcauty
Top Choice
mcampi
Superb Composition
kahuamp

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Behind The Lens

Location

This photo was taken at Peveril Castle, in the Peak District of Derbyshire, in England. This is the lowest level of the castle.

Time

This would likely have been in early to mid-afternoon, given the two hour drive to get there.

Lighting

This is all natural lighting. And I was working handheld, as I usually do, so it was challenging to balance the brightness of outside with the darkness of the castle. I loved how the light seemed to spill in through the window, shining off the stone work of the archway.

Equipment

This was taken on my Fuji X-T10. And handheld. No flash.

Inspiration

It was absolutely the light glinting off the stone. It's been worn smooth and shiny over the centuries and was a bit damp, so the light really did gleam off of it. I felt like I was looking down a time tunnel and tried to capture that feeling of being pulled forward ... well, really backward in time. I half expected to see a 15th century army lined up in the valley below!

Editing

All I ever do, really, is develop. I shoot in RAW, so it really is up to me to process the picture and make it what I want it to be. I'm not into adding what isn't in the original image. I deal with what is there and make it the best I can.

In my camera bag

Depends on the day. On this day, it would have been my camera body, a couple of lenses, batteries, camera cleaning equipment. It's quite a steep climb up to the castle from Castleton, so I would have kept it light.

Feedback

Look at your light and how it plays with the shadows. It's the perspective that is important in a shot like this. In fact, this shot is an exercise in perspective that reminds me of art classes when I was younger. All the lines lead to where your furthest point is. Line up your shot so that it pulls you forward ... and that is not necessarily centred. I always take several shots and try to perfect it with each. Play with aperture and ISO to get the feeling you want from the light and shadows.

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