wlkerboh
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Same photographer See allBehind The Lens
Behind The Lens
Location
This photo was taken at sunset pulling into Twin Falls Idaho. I drove up to the bridge just at sunset after driving all day from Seattle to visit family. Timing was perfect. Sun was just above the horizon when I pulled into the view point.Time
It was sunset, during golden hour in early April. Being in the Idaho desert, the sun has a long uninterrupted shot from the horizon to the bridge. About an hour out from this location, I could tell it was going to be a beautiful sunset.Lighting
This is all natural lighting shot without any filters. Shot in raw with colors brought out in post-process.Equipment
This was taken with my trusty Canon t2i, Sigma 18-250mm at f9.0, iso 100, 0.5 sec on a tripod. I used a wireless shutter release to ensure there was minimal camera shake created by my pressing the shutter button.Inspiration
I was on a road trip to visit family in southern Idaho. About an hour away from my destination, I could see the sun promising a spectacular sunset. This viewpoint is on the outskirts of Twin Falls and is known for its beautiful view of the Snake River Canyon. Hoping, but not really expecting to get to the view point, I simply enjoyed the changing light. By some miracle, I came to this bridge at the perfect time. I didn't waste any time grabbing my tripod and heading to the overlook to take this shot.Editing
Light post-processing in lightroom. Adjusted white/black points, increased saturation, minor rotation to straighten the horizon, and adjusted white balance.In my camera bag
I rarely have my Sigma 17-70mm off my Canon t2i. Not too far away is my Sigma 18-250mm. A Rapidstrap is nearly permanently attached to the camera for easy carrying and access. If I am hiking or think there's a chance for late day shots like this one, I have my tripod near by.Feedback
The best advise I have in trying to capture a shot like this is to have a location in mind and watch for the right combination of sky and light. Pick a location where you have an unobstructed view. Set up on your tripod and get your remote shutter release ready. Don't take the preview from the back of your camera as the final view. Sunsets in particular have a lot of colors that are hiding in the camera default rendering that come out with just a bit of attention in post.