danielstagner
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CB1985
September 23, 2012
Great Portrait, Creative... Nice Soft tones and Lighting and yet sharp in all the right places. Well Done. voted.
korinna
September 26, 2012
Voted! If u like mine, pls vote for it: http://www.viewbug.com/contests/photofocus-contest/1776378
Augle2112
October 18, 2012
VOTED/FAVED/AWARD, Great mood and fell Wonderful Work, PLZ Stop by and Vote If You Like My Work I Will Be Back Soon!
snowdon
December 11, 2012
A fascinating triangle, drawing the viewer in to an intimate moment and the subject's face and eye in particular. Everything else is peripheral. But there is also something else going on here that makes the photograph interesting, the perspective of the mirror is angled to the left, so whose hand is that on the right and does it really matter? Congratulations on your feature.
BLAKSTEEL
December 11, 2012
Beautiful Classic Looking Portrait! Love The Framing And Her Look! Congradulations On Your Feature!
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Behind The Lens
Location
I took this shot inside of my friend's fairly cramped apartment in downtown Portland, OR. It's not necessarily a small apartment, but there were a lot of people inside of a small space. It made for a lot of awkward acrobatics to get some of the shots there.Time
I can't remember exactly, but it was sometime around 11am or noon.Lighting
It was mostly shot using just ambient light. I did use a touch of on-camera flash that I bounced off of the ceiling to bring up the ambient exposure a bit, though.Equipment
At the time I used a Canon 50D, a 50mm f/1.8, and a Professor Kobre's Lightscoop. It is just a little mirror that slides in front of the built-in flash and bounces it vertically.Inspiration
The moment, as cheesy as that sounds. I saw the bride adjusting her makeup and veil and saw that the light was perfect so I took a few shots and this was the best one. We took a few different angles before we ended up at this one. I just happened to walk in at the perfect moment, otherwise I probably wouldn't have seen the shot and missed out on one of my favorite shots to this day.Editing
Absolutely. I wish I could say I didn't. Some day, I hope that'll be the case, but back then I definitely fixed it up in post. I have gone through a few computers and hard drives since then, so I lost the Lightroom catalog with the adjustments made. I can tell you that I brought up the exposure about a stop, adjusted the colors, lightened up the eyes, did a little bit of basic skin cleanup, and then sharpened the image to taste. This was all done before I learned the magic of Photoshop, so everything was done in Lightroom back then.In my camera bag
Nowadays, as far as cameras and lenses go I have a Canon 6D, a Tokina 12-24mm f/4, a Canon 50mm f/1.8, a Tokina 35mm f/2.8(Which will be replaced before too long. It vignettes like crazy on full frame.), and a Canon 70-200mm f/4. For lighting, I am a huge fan of Paul C. Buff gear. They are usually my go-to lights, so I have an Einstein head, an AB800, and some various modifiers. I also shoot a lot of architectural work so I have two speedlights that I bring along with me. A Lumopro LP160, and a YongNuo YN-560 II, and again a bunch of modifiers for those as well. I bring all of my gear with me to all of my shoots just because you never know what to expect. That's half of the fun of being a photographer is all of the problem solving that comes along with shooting. Always be prepared. Always.Feedback
I'd have to say just get out there and shoot. As cool as it is to sit in front of a computer reading blogs and retouching pictures all day, the only way you'll get the shots you see in your head is to get out there. Sure, you're going to fail and take some really awful pictures in the meantime. We all do it. But when you finally get that ONE shot you've had in your head or you manage to stumble on an amazing light setup purely by accident, that is what makes all of your failures worth it. You can't succeed without a little bit of failing here and there. That's how you learn and that is what makes this the best job in the world.