MONNA SARA

The Monna Sara picture comes to life from a 2016 shooting in the Cromosoma studio in Rome, to the model Sara Giustinelli.

The original intention was to make new shots for the McBlack gallery, which is a series of photos in which McMuller researches and enhances the beauty of the female forms, together with their intrinsic seductive power. Sara is a slightly curvy model who has been chosen for her infinite sweetness, which makes her divine for shots of this kind and immediately forgives the little post-production that her shapes require. The shot is in artificial light, with two light panels, one of which provides the main light and the other lightens the shadows, in Rembrandt style, with the less lit area left deliberately dark even if it includes the face, to give more emphasis to the forms.

The press, in just 7 + 1 copies for the entire planet (move to buy one before you index my site for the US that the Americans will end immediately) I entrusted it to a specialized laboratory in Milan; except the camera, inevitably Japanese, it's all Made in Italy. This laboratory, in which the technicians work with white gloves, has recently developed a technique of printing on canvas in which the canvas is treated with specially made materials that crack in a short time then stabilize, thus obtaining the antique effect of the canvas from them printed.

The frame is antiqued in turn and the picture is protected by a border in parchment paper, as was used for the paintings of the past centuries and still in the most modern restorations. The circulation is very limited, only 7 copies for the entire planet plus a copy of the artist for personal exhibition use and for exhibitions, which will never be sold or sold to anyone. The buyer will receive the work together with the certificate of guarantee and numbering signed by the artist. A particularity of the guarantee, registered and personal, is that it protects the work for 10 years (as long as the artist is alive) even for the eventuality of theft or accidental damage such as flooding, fire, and the like; in such cases it is sufficient to provide the artist with the evidence and, if possible, the remains of the work and it will be replaced, if possible, only for the realization price.

If I have the opportunity (mostly in Italy) I personally deliver the work, otherwise I send it in an armored and super padded pallet together with the certificate of guarantee, numbering and authenticity signed by me and the certification of intellectual property of the shot Patamu (direct competitor of the unassailable Siae).

Other data related to the shooting "Monna Sara" and to the picture with it realized you can find them in the McColor page of my site.

Andreas
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