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What means to me to photograph? To recover lifeless if I photograph not the person and to abduct at eternity live, not long lasting life filling a human body, t...
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What means to me to photograph? To recover lifeless if I photograph not the person and to abduct at eternity live, not long lasting life filling a human body, to carry out invisible operation of a co-revival, double revival, surprise turning out at this moment, to feel happiness and an heuristics of the captured (seized) moment, to coexist at this moment in some almost physical unification with the lurked object. Corner concept for me as for the artist is originality, a basic irreproducibility in the future, a shot either missed, or removed(disappeared), and it is the simplest to reveal it through concept of composition, the composition of a shot has to ring, wind blows off a lock of hair on millimeter in left and everything, wind blows off all shot completely, in studio it is rather to the 100-th millimeter the ideal and superideal foreshortening caught, or all the time running away.
For me photographing in the first the second and to tritium turn is a composition – as a factor of pictorialism and softness. Poetry, keenness, and sometimes and a deep erotic one – as a factor, burgeoning of live illusion on the folio planes, an esthetic voice and breath recovering composite perfection. And it is always motes, points or the lit edges of a shot – nuances of analog man’s hand-made imperfection on the one hand and limit degree of a palm’s-created on the other hand – a certain highest form of authenticity of all stages of exhibiting and processing, a film and photographic paper. Yes, this blank description of feelings, feelings when filming and feelings, which I hope, arise at a view of my photo, it is the most advanced stage of an ephemerality of a omni-coherence and extreme degree of relativity at the same time. If to tell briefly, then the author's photographic voice which I try to describe and to which I aspire and to give an example is Jeanloup Sieff, it is pure poesis, rhythmus both crystal, and magic composition, it images which speak with me the author's by voice always more and more deeply, than what on them is amazingly represented when the author with his feelings is always in the lead in many-voiced sounding of portrayed, compositions, technicians, qualities, a format and an expression – richness and a multidimensional of the facsimile, and the most advanced stage are conformable to that voice which and me it would be desirable to speak with the audience looking at my works.

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