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Squishy Baby Cheeks



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Awards

Zenith Award
Peer Choice Award
Superb Composition
vicentabinegasgabana Yvettehugan robertjosephkucharski marouanebelfaqir MarieMcConn sel mohammedshiyas +8
Top Choice
wynona20 Jia-Nong liamjanderson_1027 princesimonshanepamin frankmartinez veronicabenham brandijoo +7
Absolute Masterpiece
amritasaha AlexanderVolkov amandafarver emanfawzi trixieelisefrancisco DTeeters corada +6
Outstanding Creativity
leahevans_0781 syralanelaojan taylormckenzielawrence stephaniehendershot erroneous_whale ianjansen MarcusWms +6
Peer Award
nikon1 DaveLoucks ahmetgulerfotograf

Top Ranks

Anything People Photo ContestTop 20 rank
Anything People Photo ContestTop 20 rank week 1
ViewBug Photography AwardsTop 30 rank week 1
Image Of The Month Photo Contest Vol 21Top 10 rank
Image Of The Month Photo Contest Vol 21Top 10 rank week 2
Image Of The Month Photo Contest Vol 21Top 10 rank week 1

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1 Comment |
CassaraHealey
 
CassaraHealey April 27, 2017
Such a precious shot, so much softness!
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Behind The Lens

Location

This photo was taken in my home studio located in Calgary, Alberta. This was my fifth newborn session that sealed the deal to pursue newborn photography.

Time

Newborn sessions are typically booked mid morning. I remember spending days watching tutorials and practising on a baby doll to perfect this wrap and positioning of baby. I think I took about 20 frames to make sure I got the perfect angle. Totally worth it!

Lighting

I had just upgraded from continuous lighting to strobes. I remember being so overwhelmed that all I could think of was to avoid flat lighting as much as possible.

Equipment

I used my Canon EOS 6D along with the 24-105 f4L lens. 60 inch octagon light modifier on a 300m strobe at the lowest setting.

Inspiration

With just starting out I was wanting to perfect 3 poses for workflow. The potatoe sack pose was one of them.

Editing

I was just digging into photoshop at this time, I had to extend the background to fill the frame. I also cleaned up babies skin by removing redness and little nail scratch marks.

In my camera bag

It depends where I am going and what I am shooting. For studio work my 24-70 2.8 is my working horse. When outside I always bring along the 70-200 2.8, this is a heavy beast but sure creates dreamy images! Then my wide angle 16-35 2.8 for those amazing top of the mountain moments.

Feedback

Capturing newborns takes a lot of practice and patience!

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