rrpuertas

Cemitério do Araça II

Cemitério do Araça II

Mamiya 645, Mamiya-Sekor 50mm, B+W laranja, Parodinal, Fujifilm Acros 100.

Mamiya 645, Mamiya-Sekor 50mm, B+W laranja, Parodinal, Fujifilm Acros 100.
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Apr, 2017

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Cidade de Atibaia, SÃ£o Paulo. Pentax 67 MF Camera, SMC Pentax 67 45mm f-4, Fujifilm Neopan 100 (64) Acros 120, Developer Parodinal.

C.-C.-Victor-Brecheret, cidade de Atibaia - SÃ£o Paulo. Pentax 67 MF Camera, SMC Pentax 67 45mm f-4, Fujifilm Neopan 100 (64) Acros 120, Developer P

Projeto autoral RRPUERTAS, Janelas da Alma (Windows of the Soul), Eu Creio †(I Believe). Pentax 67, SMC 135mm f-4, Fujifilm Acros 120, B+W orange fi

Complexo ViÃ¡rio Real Parque, SÃ£o Paulo. Projeto autoral RRPUERTAS ColeÃ§Ã£o SÃ£o Paulo. Pentax 67, SMC 45mm f-4, Fujifilm Acros 120, B+W o

Mamiya 645, Mamiya-Sekor 35mm f-16, Nd 10 stops, filtro laranja, 30 segundos de exposição. Fujifilm Acros 100, Parodinal. Médio formato.

Uma de ontem: Edifício Robocop na Marginal Pinheiros, estação Berrini CPTM.

Revelador Parodinal e Fixador Kodak F5, ambos produção caseira. Câm

Parque do Ibirapuera, SÃ£o Paulo - Oscar Neimeyer. Projeto autoral RRPUERTAS ColeÃ§Ã£o SÃ£o Paulo. Pentax 67, SMC 45mm f-4, Fujifilm Acros 120

Mamiya 645, Mamiya-Sekor 35mm, ND 10 stops, B+W laranja, Parodinal, Fujifilm Acros 100.

Experimental - Hibiscus rosa-sinensis

Mamiya 645, Mamiya-Sekor N 110mm f-2.8, Extension Tube nº 2, Parodinal, Fujifilm Neopan Acros 100.

Atibaia city, São Paulo, Brasil.

Mamiya 645, Sekor-Mamiya 35mm, Fuji Neopan Acros, Parodinal, filtro laranja.

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Mamiya 645, Sekor 110mm 1:2.8, Parodinal, Fujifilm Acros 100

Park in Atibaia, São Paulo, Brazil. Pentax 67, 45mm f-4, Parodinal, Fujifilm Acros 100

Estação Morumbi - São Paulo.

Mamiya 645, Mamiya-Sekor C 50mm shift f-4, Parodinal, Fujifilm Acros 100.

Mamiya 645, Sekor 55mm 1:2.8, Parodinal, Fujfilm Acros 100, Orange Filter

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