Floating Into the Light
Doing a bit of diving in Guadalupe Mexico with Shark Diver. With the extreme clarity of water it causes a really cool effect where you get the crisp lines of th...
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Doing a bit of diving in Guadalupe Mexico with Shark Diver. With the extreme clarity of water it causes a really cool effect where you get the crisp lines of the shark but the background is chattery with all the rays of light.
I personally just like this image because it's such a clean profile (can't see the second pectoral or pelvic fins) of an animal that's always on the move.
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I personally just like this image because it's such a clean profile (can't see the second pectoral or pelvic fins) of an animal that's always on the move.
Read less
Feb, 2017Views
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Awards
Top Shot Award
Contest Finalist in Animals In Black And White Photo Contest
Peer Choice Award
Contest Finalist in Covers Photo Contest Vol 40
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ryansnodgrass
August 29, 2017
Thank you for that! It doesn't get as much fan fair as ones with all the razzle dazzle but I'm very proud of how it turned out with the symmetry and simplicity.
ryansnodgrass
September 03, 2017
Hey thanks! It was off Guadalupe Island, about 24hrs south of San Diego by boat. It's a little faster leaving through Mexico but the company we preferred to charter was in San Diego. Oh, and no drug cartels warnings from the embassy that way (o:
Same photographer See allBehind The Lens
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Behind The Lens
Location
Taken mid September off the shore of Guadalupe Island, Mexico in 300' of water.Time
Was take about 1pm in the afternoon from about 10' away.Lighting
The lighting on a trip like this can be really tricky. Because of the cages and how the animals often respond to strobes I couldn't use them and this takes out all the consistency between shots and changing lighting. IE the lighting on a clear day changes dramatically underwater over the course of 6hs dive time. Major considerations were mid morning is dark but we benefited from the shadow of the boat. Mid day was important not to leave the morning settings on and my afternoon you had great lighting but no longer benefited from the boats shadow.Equipment
I use a lightly modified Sony a65 with a Sigma 10-20mm constant 3.5 aperture rectilinear where I cut the shade ring off the end to make it fit the housing. The constant aperture is a big benefit to me underwater since lighting is often questionable. This also allows for shots without strobes others can't get. The length of the port covering the lens is critical to having a shot be in focus. Since my set up isn't "standard" I had to mix and match extensions to get the desired length.Inspiration
I have a passion for adventure and want to see what most never imagine seeing. To be here in person was inspiring to me and hopefully to others at their power. I also wanted to capture a moment of action since much of a Great White's time is casually strolling around.Editing
I did some minor post work to correct the color contrast and remove backscatter... it's rare in an underwater shot not to if shooting raw. This is just doing some color balance to bring out the details you see in real life. I also increased the black, and contrast slightly to give the photo more depth.In my camera bag
In the bag, moisture absorbing packs, 10-20 lens, Ikelite housing, lots of extra batteries and memory cards so I can change after each dive, protective cover for the dome, Ikelite strobe, arms, counter floats, and charger.Feedback
There are several things I would say... 1st shoot raw if possible, you can't trust the camera to adjust properly most times. Don't think you need a pair of $800 strobes! You can often get a great shot down to 50-60' if you spent more on a good lens. The length of port used is absolutely critical, if this isn't right every shot will be blurry. Simply make sure the radius of your dome is the same distance away from the nodal point of the lens... or in the middle of a zoom lens. Double check all your O rings, flooded cameras don't seem to work well. The shots are typically made by adjusting your aperture more then any other setting. However, since most shots are extremely close (3 feet or less) you have to be aware a small aperture can be especially small.
