IMG_3048-Edit-3 (1)
May, 2015Views
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Awards
Zenith Award
Creative Winter Award
Curator's Selection
Legendary Award
Top Shot Award
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Top Choice
Outstanding Creativity
Absolute Masterpiece
Superb Composition
Peer Award
All Star
Magnificent Capture
Superior Skill
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Same photographer See allBehind The Lens
Behind The Lens
Location
In my grandmother's house in South Africa.Time
Mid morning.Lighting
Natural lighting is my favorite. You get a warmth and naturalness that you can try and imitate in studio, but never quite match.Equipment
I used a Canon 7D, with a 24-105mm lens, which I use as much walk-around lens.Inspiration
My parents had very recently passed away within a short time of each other, and I was home for my mother's funeral. I was more aware than ever how fast time marches on. My son was sitting on my grandmother's (his great grand-mother) lap clutching her finger. I saw their hands together - hers, old and time-worn,deformed by arthritis - the wisdom learnt over a lifetime and all the hardships that come with it, etched in every line and wrinkle.His juxtaposed hers so perfectly, so soft, smooth,new and protected - untouched by the ravages of life and time - and all that comes with it. It just seemed like a perfect way to capture the cycle of life.Editing
I did a bit of editing in Lightroom - cropped the picture to add even more focus on their hands, and lifted the shadows. I added to the clarity and removed a little noise.In my camera bag
I tend to shoot in natural light, and often have to walk quite a bit when photographing portraits, so I try and keep it simple. I use my Canon 7D, my 24-105mm lens, my 50mm lens, a wide angle and a 70-200mm lens.I have 2 canon speed lights, with a diffuser throw in, and always carry an extra camera battery, and extra batteries for the flashes.Feedback
Watch for the quiet, unposed little moments in life. They happen so often - although unfortunately, it happens often when we have no camera in our hands. These moments tend to have the most gravity.Work from your emotion. Recognise what drew you to the subject and try and capture it as simply as you noticed it. Try not to draw your subjects attention for times like these - catching the spontaious moment is key. Shoot from afar if you must and crop to focus on the intended subject afterwards.
