Moulin
Mar, 2013Views
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Behind The Lens
Location
My first studio location was in a refurbished wood shop, that had the damp, cold air warmed by a massive antique wood stove. The ritual of creating the set, loading in the wood, getting the fire going, then testing lighting taught me patience while the anticipation of the shoot built.Time
Shot in a late night session, that was the result of the model and MUA spending far too much time chatting each other up before getting prepared to prepare. The preparation was actually located in a wonderful home, filled with amazing collections of classic paintings, Asian sculpture, and hosted by an equally gracious and interesting host. The walk to the studio for the shoot was through dark, clammy mist; my antique wood stove was a welcome friend!Lighting
Static lighting, with a constant umbrella light to the left, a flash strobe behind the pillar, lighting both the backdrop and the back of the model.Equipment
Nikon D200, Sigma 24-70mm. Tripod mounted, with both a constant light source and a strobe lighting the subject.Inspiration
I wanted to convey the feeling of cabaret, with the model coming off as aggressive and aloof, yet vulnerable. The Moulin Rouge heavily inspired this idea.Editing
In post, I adjusted the exposure slightly using ACR, then applied a small amount of skin smoothing technique in PS.In my camera bag
The gear I carry depends upon the type of shooting that I intend to do. I used to carry far too much gear, with the thought that I would be able to create/capture anything that I fancied. After determining that I was injuring myself, by carrying far too much gear, I simplified my bag, and now take the time to adjust what I carry, based upon what goals I set out for the day. This being said, I usually carry two bodies; My Canon 5dM2, and a Canon T3i. Lenses include a 70-200 f2.8, a lovely 17-40mm 4.0, and my trusty 50mm f1.8. Lately, I have been intrigued by time lapse photography, so the kit includes a remote cable release with an intervalometer, as well as a tripod. Aps on my mobile phone help with that endeavor as well.Feedback
Research images similar to the one you want to create, and create a folder of bookmarks or downloaded images, to use as a look book. Take the time to show your model the look-book, and discuss with them how to pose for the shot you wish to capture. Be flexible with your model, as often is the case, they may present you with an alternative look that you hadn't considered, or they may be uncomfortable with the set or pose, or both. If you have an uncomfortable model, your shot won't look good. The dialogue leads to practice, and in theory, practice makes perfect. With this particular shot, the model wanted to break for a cigarette, but it was too wet outside. I decided to allow her to light up in the studio, and the added prop lends more credence to her aloof demeanor overall.
