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FollowShot with Bronika 645, 80mm lens, Ilford FP-4
Shot with Bronika 645, 80mm lens, Ilford FP-4
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Summer 2020
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Behind The Lens
Location
I was approached by a co-worker who asked if I would help her daughter, since she knew that I had been doing some B&W photography. Her daughter had been doing some fashion work for several of the large regional department stores and wanted to build up her portfolio. I explained that I didn't know much about fashion photography, since I mostly did landscapes, but she insisted, so I agreed. We set up a small studio in the lobby of the business after hours.Time
The shoot lasted from 6pm until 8 pm. All lighting was from 4 Paul Buff White Lightning 5000's, the background was a white paper backdrop. I should add that the shoot took place in November 2000.Lighting
The 4 5000's were set with 2 on the background and 2 in front of the model, all with white shoot-through umbrellas. I adjusted the power of each light to the proper value using a light meter.Equipment
During the shoot I used a Canon EOS 1N 35mm camera as well as a Mamiya C-220 2-1/4 medium format. I shot 6 rolls of 35 and 4 rolls of 120 Ilford FP4 film and developed it in PMK Pyro developer. I mostly shot from a tripod, put a couple of rolls were shot freehand.Inspiration
The young lady was a joy to work with giving me numerous looks as we went through the session. This particular shot was one of the best and I loved the mood it projected.Editing
The original images from the session were printed on Ilford Multigrade paper and given to the girl for her portfolio. In 2015, I decided to begin scanning in many of my original negatives, and this shoot was one of the first. It was scanned on an Epson V-750 scanner, opened into Photoshop where I attempted to match the original silver print as closely as possible in tone, exposure and contrast. Other than that nothing else was done to the TIFF file.In my camera bag
I currently carry a Canon 5D MkIII and a Canon 40D (backup), 24-70 f2.8L lens, 80-200l 2.8L lens, and a 24mm TS lens. In addition, I carry an old Bogan tripod, a shutter release, an old Minolta spot meter and a bottle of water. Keep in mind I am usually shooting landscapes.Feedback
Please remember that lighting is everything. In the case of a studio shoot, you must have it balanced out. I use Ansel Adams' Zone System to calculate the values that I want in the image, even digital cameras, so that the tonal quality of the image is what I am looking for. Other than that, the best way to learn is to go and shoot.