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Shot on film with a Mamiya 7II as a part of my first art nude series in 2004.

Shot on film with a Mamiya 7II as a part of my first art nude series in 2004.
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Contest Finalist in Creative Shadows Photo Contest
Contest Finalist in Beauty Of Shadows Photo Contest
Peer Award
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Superb Composition
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Outstanding Creativity
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Absolute Masterpiece
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Top Choice
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Magnificent Capture
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All Star
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Superior Skill
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Submitted to Photo Contests

Top ClassTM

Beauty Of Shadows Photo ContestTop 10 class
Beauty Of Shadows Photo ContestTop 10 class week 2
Beauty Of Shadows Photo ContestTop 10 class week 1
Lets Dance Photo ContestTop 30 class
Lets Dance Photo ContestTop 30 class week 1
Silhouettes And Negative Space Photo ContestTop 30 class
The Female Form Photo ContestTop 20 class week 1


5 Comments | Report
cjtphotography July 10, 2017
Great the lighting
flash1952 July 11, 2017
sexy and cute shot...
switchsphotography PRO+
switchsphotography July 17, 2017
Love this!! Well done!!
pietnel July 21, 2017
Excellent awesome shot love it
Kosmotheoros December 18, 2017
Excellent model, nice pose, fantastic curves! Amazing shot!

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Behind The Lens

My Myrtle Beach studio, I painted the walls and chip board floor white
Early afternoon as the model was a performer with a local theater and preferred to rest in the mornings
I used only one monolight, a Novatron M500 bare bulb laying on the floor with cardboard sheets to create the barn door effect. I was a novice having only opened my first studio several months prior (circa September 2003) and had very little pro equipment so I improvised a lot with household items.
Mamiya 7II with a 125mm lens, Ilford Delta film and one Novatrom m500 for lighting
I had just opened my first studio, my childhood idol was and still is Herb Ritts, he was the master of black and white compositions and his flair for combining fashion and fine art was my dream to pursue. So I hired models or worked with willing friends and played around with shapes and shadows.
I had a photo lab develop the negatives then I played with the enlarger in the darkroom, using Ilford paper and adding contrast with red filters.
In my camera bag
Depends on the job. For work I always have a Nikon kit either 750 or 800 (getting 850 for Christmas) with several primes and a 70-200, Nikon 910 speedlights and rogue flash benders. If I am shooting for personal work then it's usually film, Kodak Tri-x has been a recent favorite and my Fujinon GX680III
Experiment and play around until you see something you like, be inspired by others but fins your own style

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