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The crow chronicles



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1 Comment |
kumarannamalaivandayar PRO
 
kumarannamalaivandayar September 05, 2016
Love this ...amazing work Claudia
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Behind The Lens

Location

I took this photo outside a friend's back yard, in the midst of day with a ridiculous harsh sun light. II had brought a neutral backdrop also. It took so long to prepare the model, that by the time we were done and ready to shoot, the sun stood very high.

Time

It was actually a hot day and as you can see the sun hits her face really hard. Even though I wanted the effect of harsh light with a strong shadow/contrast, I wasn't quite happy at first when the sun came out so strong. But then I noticed the effect and I played with it.

Lighting

Being quick when shooting outside, being aware of the way the sun is moving, while directing the model. I wanted her towards the sun, right in the light. It made her eyes almost tear up, We had though a lot of fun and i kept shooting until I felt that I had captured that " moment".

Equipment

I shot with my older to go to NIKON, D 70, 35mm lens, handheld, on my knees, no flash, outside, no filter and lots of flour flying through the air.

Inspiration

I started a series called the CROW CHRONICLES. The series explores the relationship between humans and animals within the mythology of the crow. It is said in various cultures that the crow lives in the void, is sort of timeless. The crow is a bird of change and a messenger. I wanted to portrait the power of unity within that realm.

Editing

II removed a few flour flakes that covered her face and then added a green yellow - ish filter with Exposure 5, a Photoshop plug in. I added some space to the right and darkened it .That's all I did.

In my camera bag

My Nikon D 70, Nikon D 3300, AF-S NIkkor 35 mm, AF-P VR Nikkor18-55mm, AF NIkkor 28 - 80 mm, , AF Nikkor70 - 300 mm, NIkon Speedlight 600, Tripod, and Mac Book Pro and 3 or 4 16GB Sans Disks and extra batteries of course. I think its a very basic equipment, which works for me.

Feedback

I think having a clear vision and utilizing an actual vision board is very essential. I also knew what kind of props I needed and I brought enough time to not rush the process. Directing the model in a way that she understood what kind of look and energy I wanted for this image was key. Her relaxed face, I think, is what makes this image work. The crow is not real, of course :), and kept falling off her shoulder.. but we kept working away and I think everyone in this shoot was so engaged in the process. Last but not least: no matter how prepared you are : allow the process to unfold too and HAVE FUN :)

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