bmeiri
FollowImpala with an Oxpecker on its head
Impala with an Oxpecker on its head
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akhtarkhan
May 27, 2014
Amazing. Nice detail and colours so cool......great capture. Congrats on the feature.
westi
May 27, 2014
Well deserved. Amazingly sharp, nice composition and a creative capture.
Almost doesn't look real. Very nice.
Almost doesn't look real. Very nice.
salmakhan
May 29, 2014
Wonderful photography do you have a youpic profile?upload this into youpic website world best photography place
LesleyRoy
June 03, 2014
I loved how you managed the DOF. It really made the shot stand out. And did you see the little fly on the ridge of the eye? I also love the colours. It a wonderful shot.
michaeltillman
February 24, 2015
What an odd portrait of a friendship. I really like this shot. It's very well taken. Congrats on the feature.
Same photographer See allBehind The Lens
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Behind The Lens
Location
Kruger Park, South AfricaTime
MorningLighting
Used the ambient light, the sun was pretty low and it was a little cloudy and it created warm colorsEquipment
Pentax K5 and Sigma 70-200mm lens. I shot it from the carInspiration
The two eyes of both the Impala and the bird, and the interaction between them.Editing
Some sharpening and contrast, and this is a cropped image. The original image was a little further awayIn my camera bag
Pentax K7 and K5 bodies with a variety of lenses, depending on the type of trip and photography: 10-20 and 17-50 for landscapes 100mm macro as well as 35mm macro 50mm F1.4 for low light and shallow depth of field photos 70-200mm and 300mm for wildlife and birds Graduated filter for landscape photography A compact carbon fiber tripod is also with me on every trip. Sometime a flash. Batteries, charges, memory cards, cleaning kit, shutter release remoteFeedback
Drive through smaller roads so that other cars won't come buy and ruin your scene. Patience. Lots of it. I spent about two hours near this group of Impalas by the road. I stopped the car quite a distance from them and only when they started ignoring me I moved in a little closer until I was 1-2 meters from then. I disabled any sounds made by the camera. turned the engine off and waited for opportunities. Camera settings should be balanced out. In low light conditions (early morning and cloudy) use the lowest speed possible and the shake reduction on your lens/camera, and keep your arm steady on the card window. Use the highest ISO that the camera will allow without noticeable amount of noise. Close the aperture as much as the light conditions allow. Shoot either early or late in the day and pay attention to the direction of the sun.